The Ebony bridge has a drop-in saddle on top. Since Mayer resorts to the higher register to finger the complex chord progressions in “Neon,” Martin designed the OMJM’s sides to lock at the 14th fret instead of slicing a cutaway through the soundboard, which could alter the tonewood resonance of spruce. RELATED: What kind of guitar does Lindsey Buckingham play? The rosewood back and sides contribute to further enhance the tone warmth that he always appreciates. I deem this tonewood combination ideal for Mayer since spruce produces this “bell-like” tone we’re all familiar with in vintage models. Mayer excellently executes this slapping technique on his acoustic model thanks to the spruce top and the rosewood back. The OMJM is a revamped variant of his first acoustic signature model, the OM-28, and they both adopt the same construction. If you want to get acquainted with John Mayer’s style, check out Guitar Tricks for useful lessons. Mayer revives his jazzy Berklee vibes in Japan, where he can be seen slapping his way through “Neon” on his Martin OMJM signature acoustic guitar.
Now, let’s pick up the rare axes of John Mayer, starting with his acoustic gem. This gives Mayer the freedom to mess with the often-ignored middle pickup to explore that halfway between a warm and a bright tone. While bridge humbuckers in Les Paul guitars give off a bright sound, the neck pickup in Strats is the one that sounds more bright. There are three of these pickups paired with a 5-way switch in a Strat. The reason for that is the nature of the single-coil pickups present in most Strats and Teles. So, what kind of guitar does John Mayer play to render this 3-way equation possible? We’re going to delve into the ones closest to his heart.ĪLSO READ: Guitar Tricks – Is It Really The Best Online Guitar Learning Course? John Mayer’s Rig Rundown: What’s With the Strats?Īside from acoustics, if you’ve never attended a concert for John Mayer before, let me tell you that he possesses a wide array of Stratocaster guitars. He just succeeds in devising the crossroads where pop, blues rock, and soft rock coexist in harmony. I appreciate that Mayer doesn’t have the urge to pose a “challenge” on the level of techniques or music theory knowledge. Having embarked on the same stage as the virtuosos who embraced him makes him a fellow virtuoso.
I even like that Mayer is aware (and happy) that his musical style is presented in a way that doesn’t trigger competition or debates in the guitar scene. Sharing the stage with guitarists like Eric Clapton and Carlos Santana, John Mayer is remarkable for his “seasoned” pop approach.
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